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Fic: Götterdämmerung

  • Sep. 20th, 2006 at 7:04 PM
adorable
Title: Götterdämmerung
Author: Mer
Rating: G
Prompt: #37 - Loud [info]100_situations
Summary: He was building up his credit of negatives.
Author Notes: Spoilers for "No Reason" through "Cane and Able." This is what happens when you overdose on the Ring cycle. Thank you CBC.


Normally Gregory House wouldn't be caught dead at work on a Sunday, unless he was mired in a case or he actually was the case. But nothing was normal any more. Or rather everything had returned to normal, which was almost more than he could bear after two months of hope. Well, not quite everything. He hadn't talked to Wilson since their confrontation following alien boy's brain surgery. He had been angry when he'd left Wilson's office. Angry and hurt and shattered by the returning leg pain. He'd felt like he was free falling. Only the cane had grounded him.

It was easy to avoid Wilson at work. He knew every hiding place in the hospital and Wilson was smart enough not to push his luck by trying to find him. He buried himself in reading and research and ignored any sign of movement from the office across the balcony. When Cameron tried to distract him with a case that was obviously paraneoplastic syndrome, he forwarded it oncology without even asking for a consult.

It was harder at home. Everything reminded him of Wilson. The couch, the fridge, the DVD player Wilson still hadn't retrieved. He tried watching a repeat of The L Word on mute, but turned it off after five minutes. He was furious with Wilson, but he missed him. When he woke up Sunday morning craving pancakes, he knew he had to let Wilson clear the air and his conscience.

That proved easier decided than done, however. Calls to Wilson's home and cell phones went straight to voicemail and House couldn't quite bring himself to page Wilson. He finally decided to drive over to Wilson's apartment and confront him in person. But no one was home, so he tried the next logical place - the hospital.

Wilson's Volvo was parked in its usual spot when House pulled up. More importantly, Cuddy's car was nowhere in sight. Nevertheless, he skirted past her office carefully on his way to the elevators. He wouldn't want her to think he was setting any kind of precedent.

He walked into Wilson's office without knocking and was enveloped in music. For a moment he thought he was hallucinating, that one of his illicit Vicodin tablets had been laced with LSD. The lights were off, except for a lamp casting a shallow light across the desk. A full orchestra sounded through the room, the music swelling to mask his entrance. He closed the door carefully behind him and stared.

James Wilson was leaning back in his office chair, eyes closed, his hands moving languorously to the music, occasionally punctuating a timpani beat or mimicking the trumpet solo. House leaned against the door and let the music flow over him. Watching Wilson lost in the music, humming softly along with the melody, he realized it was the happiest he'd seen his friend in weeks.

House flicked through his internal playlist and identified the piece as the Funeral March from Götterdämmerung. He vaguely remembered Wilson mentioning something about a live performance of the Ring cycle on the radio, but he had filed that piece of information away in his "couldn't care less" compartment and ignored the rest of the conversation.

Wilson sat up when a clear soprano voice broke the mood, opening his eyes. He started when he saw House standing by the door, and turned down the volume on his computer speakers. "House? What's wrong?"

"Why do you assume something must be wrong? Maybe I just wanted to drop in."

"On a Sunday? When you're not even supposed to be at work?"

"Neither are you, and yet here we both are." House looked at his friend for the first time in days. Without the softening smile, Wilson looked exhausted, almost fragile. But when he really thought about it, Wilson had looked tired for weeks. He wondered how much sleep Wilson had lost while House was in the ketamine coma and recovering. "Surely you put in enough hours in the week without camping out on a Sunday."

"Live stream," Wilson said, gesturing at his computer. "The sound on my laptop is crappy, so I came in." He managed a tentative smile. "It's good music to do paperwork by."

House glanced at Wilson's desk, which looked suspiciously free of anything resembling work. "I can see that. So good it makes the paperwork disappear."

Wilson shrugged. "It's a long opera. I finished the last of the filing during Act II."

"Then what are you still doing here?" He couldn't understand why anyone would spend longer doing paperwork than absolutely necessary.

"Listening to Act III." Wilson had a talent for stating the obvious that made House want to strangle him at times. "Hush. It's almost over." He turned the music back up and closed his eyes again.

House limped over to Wilson's couch and sat down. It wasn't almost over, but he was happy to delay the conversation for another twenty minutes until Valhalla burned. "I can't believe you were listening to Wagner," he sniped after the final notes faded into applause. "The man was a rabid anti-Semite."

"Carl Orff agreed to rewrite Mendelssohn for the Nazis. And yet you gave me a recording of Carmina Burana."

Wilson had a point, which House had to concede or risk admitting that he hadn't actually known that particular fact. "Ah, but I'm famously insensitive. I've got a copy of The Sun Also Rises in my office for you."

"Do you mean Hemingway didn't intend Robert Cohn to be the most sympathetic character in the book?" Wilson looked down and carefully arranged the few remaining files on his desk, neatening the work area, and then shutting down his computer. Finally, he looked up, a tiny smile quirking the corner of his mouth. "I forgive a lot for genius," he said, his tone rueful, but hopeful.

It was the opening House had been waiting for. "That's stupid," he replied. "I don't forgive at all." He watched the hope fade, and let that feed and burn away the last of his anger. "I've been thinking about making an exception, though." The hope flared again, filling the hole left by the anger.

But then Wilson looked away. "Forgive Cuddy then," he said softly. "It was my idea. I was the one who convinced her."

House hadn't expected that. But it was what had always drawn him to Wilson - his unpredictability, despite outward appearances. "She's paid her penance. What about you?"

"People wait years for a ticket to Bayreuth. Every year, when you send in an order form, your request gests logged into the box office system and then rejected. You have to build up a credit of negatives before you earn your ticket."

House knew Wilson well enough to understand that it wasn't a non sequitur. "And you don't think your credit is high enough yet?"

Wilson stared down at his hands. "How well do you know Götterdämmerung?" He picked up a pen and twirled it through his fingers. "Siegfried betrayed Brünnhilde, whether he meant to or not. And she destroyed him for it. She was the only one who could, because she both protected him and made him vulnerable."

"And who are you?" House asked, his voice low, but steady. "Siegfried or Brünnhilde?"

Wilson looked up and the desolation in his eyes nearly made House shiver. "I thought that was obvious. I'm the betrayer and the destroyer."

"Not the protector?"

Wilson shook his head. "Not the protector. No matter how hard I try."

"I don't need your protection." But House knew that was a lie. Wilson had covered for him, deflected attention from him, and fought for him too many times to count. "I just need your friendship."

"I don't know how to separate the two." Wilson put the pen down and laid his hands flat on his desk blotter, as if in supplication. "I can't just stand by and watch you destroy yourself."

"Even if it destroys our friendship?"

Wilson flinched, but didn't look away. "If I have to sacrifice our friendship to save you, I will."

House let that sink in for a moment and then shook his head. "Don't be such a drama queen, Brünnhilde" he mocked. "You want me to get you a horse and a funeral pyre?"

"Do you think I enjoy lecturing you like a three year old?" Wilson retorted. House raised one eyebrow and Wilson chuckled, albeit bitterly. "Maybe you're right. Maybe I do. Because it's better than the alternative. It's better than doing nothing while you kill yourself with the motorcycle or the pills. Or watching you fall apart when the puzzle pieces don't fit together. Or waiting for the next lunatic with a gun to decide he didn't like something you said or did." His voice cracked, and he bit down hard on his lower lip.

House stared at a tiny drop of blood welling below Wilson's lip and remembered his hallucination. He had never needed to hit Wilson to draw blood. "You never dealt with it, did you?" he realized. "The shooting."

"There was nothing to deal with," Wilson replied, wiping the drop away with a quick swipe of his hand. "I wasn't there."

"That's kind of the point."

This time Wilson didn't just flinch, he shuddered and curled into himself.

"What do you think you could have done if you'd been there?" House asked, trying to keep his voice calm and even. "Used your magic powers of manipulation to talk him out of shooting me? Tackled him from behind? Stepped in front of the bullet?" When he realized he'd struck home, he pressed harder. "What do you do? Lie awake at night imagining ways to save the cripple?"

That was too much for Wilson, who bolted out of his chair and broke for the door. House stuck out his cane to stop him, whacking him on the shins for good measure.

Wilson yelped and then stared down at the cane. He didn't say anything to House, just drew his hands down his face and retreated to his chair.

"You're the one who thinks he's god," House continued. "You're the one with the saviour complex. You can't cure your patients, so you try to cure me instead."

"I'm not trying to cure you," Wilson whispered. "I'm just trying to keep you from crashing and burning."

House deliberately looked down at the cane. "Too late." He pushed himself upright, hating how much effort it took. The memory of movement seared through muscles that could no longer obey. He limped towards the door, knowing without looking that Wilson had turned his head away from the sight.

"House!"

House stopped and looked behind him. He was wrong. Wilson was watching him, not with pity, or even guilt, but with regret. Whether it was regret for his lie or regret for all that had been lost, House didn't know. He didn't even care.

Wilson looked as though he were prepared to drop to his knees and grovel. He opened his mouth to say something, but then just shook his head. "I'm sorry."

It was what he had come for, but House found it no longer mattered. He kept walking to the door. "You're not forgiven," he said, pausing before he pulled it open. "But we're okay." It wasn't the truth. But it was enough for now.

Tags:

Comments

[info]merit_badge wrote:
Sep. 21st, 2006 08:18 am (UTC)
This is excellent; it seems true to the characters, sad but hopeful. It's made a lovely start to my day, thank you.
[info]mer_duff wrote:
Sep. 21st, 2006 07:58 pm (UTC)
Thanks - it started out a little more hopeful than it ended up, but I wanted to at least start the healing process.
[info]smithy161 wrote:
Sep. 21st, 2006 11:57 am (UTC)
I shouldn't read so much angst so early in the day. But this was very well-written, perfectly in character. Poor old Wilson.
[info]mer_duff wrote:
Sep. 21st, 2006 08:01 pm (UTC)
Sorry :) It turned out way more angsty than I'd intended it to be, but I just couldn't believe in a happy ending - at least not yet.

Thanks for reading!
[info]kat_lair wrote:
Sep. 21st, 2006 12:56 pm (UTC)
oh see this is House and Wilson, in all their fucked-up crash and burn glory. Sometimes love is not enough. In fact, love alone is never enough.

Powerful and brilliant, absolutely loved it.
[info]mer_duff wrote:
Sep. 21st, 2006 08:05 pm (UTC)
Thanks - I'm glad you enjoyed it. There's so much to work with in their "stupid, screwed-up friendship." Love's definitely not enough, which I suspect is a lesson Wilson needs to learn a bit better, but at least it's a place to start.
[info]purridot wrote:
Sep. 21st, 2006 12:56 pm (UTC)
Oh, Mer -- how I wish you wrote for the show. What a great missing scene: although they both recognize the impasse in which they find themselves, each got to listen a little to the perspective of the other, and hopefully that will be enough of a talisman to ward off a tragedy.

And last week's Wagner marathon was pretty special! This is a lovely commemoration.
[info]mer_duff wrote:
Sep. 21st, 2006 08:33 pm (UTC)
Thanks - I'm glad it worked as a missing scene. I wrote about half of it before Tuesday's episode and then had to rewrite and shift direction, because I wanted to explore how they got from House stalking out of Wilson's office to pretending that thing were back to normal. I'm sure the writers have some kind of resolution planned for the future - and it makes sense that it wouldn't just happen overnight.

Loved the Wagner marathon - though perhaps moreso the programming around it than the full performances. I actually prefer Parsifal and Tristan und Isolde, but I do have a fondness for the Funeral March. Like Wilson, I got caught up on paperwork during Gotterdammerung, much to the dismay of anybody who walked past my office during the high points...



[info]kassrachel wrote:
Sep. 21st, 2006 01:14 pm (UTC)
Wow.

This is crushing, but it's also really, really good.

House stuck out his cane to stop him, whacking him on the shins for good measure.

I love that. It's so House -- might as well get the whack in, while you can, just on principle.

House deliberately looked down at the cane. "Too late." He pushed himself upright, hating how much effort it took. The memory of movement seared through muscles that could no longer obey.

Ow. Oh, God, this is so much worse than before the ketamine temporarily cured him, you know?

Anyway. Lovely stuff. Thank you.
[info]mer_duff wrote:
Sep. 21st, 2006 11:04 pm (UTC)
Thank you!

It must be devastating for House to have had that glimmer of hope and then to have it snatched away. No wonder he doesn't want to talk about it. I wouldn't be able to discuss it without screaming.
[info]rubberbutton wrote:
Sep. 21st, 2006 02:00 pm (UTC)
I always know your work will be wonderful, and I brace myself in anticipation, but I am always blown away anyway. It's so beautifully devastating. Just lovely, dearheart.
[info]mer_duff wrote:
Sep. 21st, 2006 11:12 pm (UTC)
Aw, thanks. I didn't mean for this one to be quite as dark as it turned out, but a happy ending just didn't feel realistic at this point.
[info]stephantom wrote:
Sep. 21st, 2006 02:39 pm (UTC)
Very nice. I wish the show would have shown something like this. They need to have a conversation like that. Anyway, great job.
[info]mer_duff wrote:
Sep. 21st, 2006 11:16 pm (UTC)
I have faith in the writers - I'm sure we'll eventually get some kind of confrontation/resolution between House and Wilson, I was just impatient. It'll be interesting to see what form it takes, though, since they're both pretty good at pointing out each others' flaws and not so good at admitting their own...

Thanks for reading!
[info]nightdog_barks wrote:
Sep. 21st, 2006 03:20 pm (UTC)
What can I say? Any story that can mix Wagner, Hemingway, loss, and redemption (even though it isn't redemption, not yet really) gets an A++ in my book.

Just a lovely fic -- everything fits together so well and dovetails into one overarching tale.

I was actually wishing last night there'd be another story from you up soon, so this makes for a very happy Thursday morning.
[info]mer_duff wrote:
Sep. 21st, 2006 11:24 pm (UTC)
Not quite redemption, though hopefully the first step. The third season is throwing a bit of a spanner in my WIPs so far. I need for things to really be okay between House and Wilson before I can start messing them about :)

I'm glad it made for a happy Thursday morning, since I know I have happy Thursday evening to look forward to!
[info]nightdog_barks wrote:
Sep. 22nd, 2006 12:32 am (UTC)
*grins*

You are too kind. At least tonight's tale is a much nicer one than last week's!

And my House goes to the hospital on the weekend too. Heh!

[info]mer_duff wrote:
Sep. 22nd, 2006 12:53 am (UTC)
I'm looking forward to it - though I loved last week's. Very dark and disturbing, and beautifully written.

Ha! Great minds... I figured if I had to work on the weekend, so did Wilson :)
[info]peapods42 wrote:
Sep. 21st, 2006 05:05 pm (UTC)
Excellence, my friend, excellence. Incredible rationalization and characterization. Wilson compensating for not being around at the shooting? Genius. I don't know anything about opera but I appreciate metaphor and allusion where I can get it. Nice echo of 'we're okay' from HousevGod, actually put a RENT song in my head. Ha.
[info]mer_duff wrote:
Sep. 21st, 2006 11:40 pm (UTC)
Thank you!

My theory is that the shooting probably coalesced a lot of Wilson's fears about the potential consequences of House's behaviour, which is why he was desperate enough to make some pretty misguided decisions.

I've never met a metaphor I wasn't willing to co-opt, and there were some interesting interviews about the Ring Cycle and Brünnhilde in particular that got the wheels turning. And hey, if you know Rent, you're already part-way to opera :)
[info]evan_nicholas wrote:
Sep. 21st, 2006 08:46 pm (UTC)
Ah yes, the Wagner-a-thon. Pity I didn't get anything as lovely from it as you obviously did... but CBC rocks, doesn't it?

Lovely story, I really like the exploration of the shades of subtlety between them. Tangled and complicated is always the most compelling, no? Nice, nice, nice.
[info]mer_duff wrote:
Sep. 21st, 2006 11:59 pm (UTC)
Oh, I think Wagner is probably an acquired taste. I actually got more out of the interviews and discussions of the music and text than I did from the performances (though I did have Gotterdammerung blasting in my office on Sunday). I tend to like opera better in theory than practice :) But go CBC!

The more complicated the better. Certainly the better to write about, and with those two I don't think the threads will ever be untangled.

[info]asynca wrote:
Sep. 21st, 2006 10:03 pm (UTC)
The composer and literature references are a great addition. I'm definitely glad I clicked this link :)
[info]mer_duff wrote:
Sep. 22nd, 2006 12:31 am (UTC)
Thanks! I probably went overboard, but I just couldn't resist - I get as obsessive about allusions as House does about puzzles :)
[info]piratefanatic wrote:
Sep. 22nd, 2006 05:55 am (UTC)
Gaa! Brilliant writing, as always. I love how you manage to portray these two (particularly these two, but everyone else as well) so perfectly. What we see here is simply a bit more personal and focused than the scenes we watch each Tuesday. Again I say amazing writing, this and everything else you've written. *love*

Incidentally, on the off chance that you ever need a beta reader, I'd be honored!

[info]mer_duff wrote:
Sep. 22nd, 2006 05:09 pm (UTC)
Thanks, I'm glad you liked it. I love putting those two through their paces, but my goal is to one day be able to write Foreman and Cameron well, or at least confidently.

I may take you up on that offer - I know I should be using a beta more often, but I've never been good at asking for help :) My email address is in my user info if you want to contact me directly.
[info]piratefanatic wrote:
Sep. 24th, 2006 03:50 am (UTC)
Well, practice makes perfect.

And that totally wasn't said out of selfish desire to read more of you work. Nope. Not at all.

I'll send you an email straight away, 'cause editing makes me happy!
[info]bironic wrote:
Sep. 22nd, 2006 02:20 pm (UTC)
A nice transition fic, touching on a lot of issues between the two that the show has hinted at but not really explored. The ending was darker than expected, but I'm glad you avoided complete resolution.

Nice touch that it took this long for House to wonder what Wilson might've gone through while he was recovering. It's such a selfishly House thing that his best friend's suffering wouldn't register. Not that I blame him, really -- he had enough of his own problems to deal with.

It wasn't almost over, but he was happy to delay the conversation for another twenty minutes until Valhalla burned.

Great sentence. It really would be a tragedy if what we're witnessing is the disintegration of their friendship. Fortunately it seems to be the tentative start of the healing process instead.

Love the bit about the anti-Semitic composers and authors that comes right after. Not only is it very funny, it's an excellent example of how to disarm both Wilson and us with humor before going in for the kill.

I really like the analogy of building up negative credits (and how House knows it's not a non-sequitur, as he did with Wilson's little speech about HIV testing in "No Reason") and the comparison to Brunnhilde, though I'm not sure Wilson would feel so awful about what he did or so unworthy of House's forgiveness. His comment about not knowing how to separate protection from friendship, though, gets at something very true and tragic about him. And the revelation of Wilson's guilt and fear about having missed the attack is just heartbreaking.

Do you look for concrit for your stories? Because there are some parts of this that go a bit over the top, like the drop of blood and Wilson trying to bolt; and I think with the radio broadcast in the beginning and both men's familiarity with the opera that you've edged into the 'too much insertion of your own life' thing that you avoided in "Weight and Worry." You probably aren't looking to do revisions when you still have so many prompts to write, but if you ever do, I think this would benefit from toning down some parts to make the rest really shine.

Anyway, this was a great treat yesterday (you and nightdog_barks both!). The Ring Cycle is coming to the Metropolitan Opera next summer over a series of four nights, and if I go I just know I'll be thinking of this fic.
[info]mer_duff wrote:
Sep. 22nd, 2006 07:20 pm (UTC)
The ending was darker than I expected too! I wanted resolution when I started writing it, but it just didn't seem realistic under the circumstances. Under any circumstances really - nothing ever really resolves neatly in real life.

I don't think they're heading for a destruction of their friendship (and certainly not in my universe), if only because if there's no friendship, there's no real purpose for Wilson on the show and I haven't seen any whispers of RSL leaving. However, to push the Brunnhilde analogy beyond all reason, their relationship could use an immolation to purfiy what's happened since "House vs. God." I just wish the writers would hurry up and remember how fun those two can be together - I miss moments like the end of "All In."

Concrit away! Lord knows I need help reining in my more self-indulgent writing tendencies. Sometimes I get so enthralled with an image or an idea that I force it where it really doesn't belong. Everything you mentioned is a perfect example of that, particularly the opera. I think I even knew when I was writing it that it was straining credibility, but I was too fixated on the parallels I kept imagining. I blame the CBC - September was Wagner indoctrination month.

This is one where I'll definitely go back and revise, but I'll probably wait a few months. I can see the flaws, but I'm still too close to it to see the solutions. And by then I'll be free of the indoctrination :)

Still, the Ring Cycle at the Met! I'm going to go fantasize about New York in July now...
[info]gawainesangel wrote:
Sep. 30th, 2006 05:42 pm (UTC)
Heartbreaking, but really a lovely piece all the same. (And when have I ever said no to angst?) As usual, you really got their characters down. And now I have to hurry off and read more of your House/Wilson fare. <3
[info]mer_duff wrote:
Oct. 1st, 2006 09:20 pm (UTC)
Thanks! It turned out darker than I had wanted it to be, but that was what the characters demanded this time.

Thanks for reading!